Showing posts with label sabaw. Show all posts
Showing posts with label sabaw. Show all posts

Sunday, November 14, 2010

Fete Dela WSK!



Since its inception in 2008 as Fete dela Wasaque, the festival had a particular focus around performances within the field of sonic arts and innovative music. For this year’s edition, we have decided to rename the festival WSK!—as three cryptic letters, which can only provide as much as the sum of the parts. We decided to widen the focus on “parallel voices” that throughout history have worked alongside the sonic arts. Theater, dance, poetry, cinema, television, radio, and even religious and spiritual purposes have integrated the use of sound in almost every process. However, the sound world is a bit hermetic. It happens, then it’s done. It doesn’t have the same library of information that you have in the other arts. So we hope, among other things, WSK! would be a chance to explode people’s misconceptions about what contemporary music is.

The path of music evolution is never straight, god forbid. Curveballs, odd combinations, and juxtapositions feed the rich variability of production, fuel the creativity of producers, and aggravate and agitate listeners toward new territory. Artists cross-pollinate and fertilize, expanding their reach and deepening their productions with the increased richness that comes with drawing new and unexpected connections. Get carried away by a program that straddles between live video manipulation (live cinema) against a backdrop of powerful club and textured home listening; connects experimental and pop, electro and rock, classic and futuristic; exploits contrast; digs up unexpected links; and builds spontaneous bridges into the unforeseen.

In short, this year’s festival consists of live performances, an exhibition, and a digital album + book anthology of mission statements, buckshot manifestos, postmortems, essay fragments and short interviews documenting the vicissitudes of sonic life off the radar in Manila, Asia and beyond.





Visit Fete Dela WSK! official website HERE


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Thursday, August 26, 2010

BEDROOMLAB 3 AT THE LIVING ROOM: ARTIST TALK | INTERNATIONAL NETWORK MEETING | OPEN DISCUSSION | LIVING LABS | FREE BOOZE+FOOD | NO DAMAGE



BedroomLab functions as an informal art platform, wherein open discussions, brainstorming sessions, lectures, network meetings, performances, hands-on workshops, demonstrations and public gatherings take place.

The first edition (BedroomLab.01) tackled two local artists who focus on sound to talk about the gritty details of their works in electronic video and sound, then subsequently presented it via collaborative performance. On the second edition (BedroomLab.02), brainstorming sessions alongside open discussions with various artist communities in Manila and Cavite regarding not just the development and continuation of artistic sonic and visual art projects; but the "collaborative futures" of these communities.

SABAW Media Art Kitchen and Visual Pond present BedroomLab.03, ADE DARMAWAN of Ruangrupa. Ruangrupa is an artists' initiative established in 2000 by a group of artists in Jakarta, Indonesia. It is a not-for-profit organization that strives to support the progress of contemporary art ideas within the urban context and the broader scope of the culture by means of exhibitions, festivals, art labs, workshops, research, and journal publication.

For his talk, Darmawan will discuss the history, network and survival of artist initiatives in Indonesia, drawing from his experience in Ruangrupa and a recent exhibition he co-curated featuring twenty-one Indonesian artist initiatives and collectives. He will also talk about ruangrupa's ongoing Art Lab, a project designed for conducting research and creative collaborations on urban and media issues. It serves as a collaborative platform for individual artists as well as interdisciplinary groups from Indonesia and abroad, presenting in various formats such as exhibitions, events, publications, websites and interventions in public spaces. Under the umbrella of "Urban Mobility", two thematic Art Lab projects are presented each year for 2008-2010. Darmawan will talk about the past projects of 2008-2009 [2008: “Kendaraan (project on people's desire on Vehicles)” and “Desain Kota Dalam Kota (City Design in The City) ”; 2009 “Transaksi (Transaction)” and “Teknologi Virtual Komunikasi (Virtual Communication Technology)] and converse on this year's work in progress, “Kota lama (Old City)” (2010), and “Kota Masa Depan (Future City)”.

Darmawan will also talk about his own artistic projects, which look into ideas of industrial products and consumption and production mechanism, attempting to see the layers of reality and illusion that is generated by it. He is currently working on a project on the history of consumption, harking back to the colonial era.


Open discussions with the audience are highly encouraged, so please be prepared for some prolonged chit chat over food and beer. Drinks and finger food will be served.

Free Entrance.

AUG 31 - 8PM til early morning (we have a lot of booze)


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Ade Darmawan

Darmawan was born in 1974 in Jakarta, Indonesia, then moved to Yogyakarta (central Java) for 5 years to study at Indonesia Art Institute of (I.S.I), in Graphic Art Department. A year after his first solo exhibition in 1997 at the Cemeti Contemporary Art Gallery, Yogyakarta (now Cemeti Art House), he stayed in Amsterdam for two years post-graduate residency program at the Rijksakademie Van Beeldende Kunsten (State Academy of Fine Art) - Institute for Advance Art Studies and Research - Amsterdam, Netherlands. Back from Amsterdam in 2000 and with five other artists from Jakarta, he founded ruangrupa - an artists' initiative space.

He has been actively working as visual artist with works ranging from objects, installations, digital prints and public art. As an artist and curator he has participated in many art projects and exhibitions in several cities in Indonesia and abroad, such as in Amsterdam, Seoul, New York, Buenos Aires, Durban, Tokyo, Bangkok, Mumbai, Mexico City, Istanbul, and Sydney.

From 2006-2009 he was a member of Jakarta Arts Council, and the artistic director of Jakarta Biennale XIII-ARENA 2009. Now he lives and works in Jakarta as an artist, teacher, and director of ruangrupa.

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ruangrupa - www.ruangrupa.org

Since 2003, ruangrupa organizes the bi-annual OK.Video Jakarta International Video Festival. In 2004 ,ruangrupa in collaboration with Jakarta students from several universities organized the Jakarta 32 ‘C, a bi annual festival for students visual arts productions. ruangrupa as an artists collaborative platform also actively participate in exhibitions and projects in Indonesia and internationally, such as the Gwangju Biennale 2002 and the Istanbul Biennale 2005. ruangrupa is member of Arts Collaboratory, a platform for visual artists’ initiatives from Africa, Asia and Latin America.

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bedroomLab is a new program facilitated by SABAW Media Art Kitchen, a not-for-profit organization whose primary interests lie in curatorial and research-based production towards the imminent intersections of art and technology; as well as networking cultures from information and communication carried via modern electronic media.


bedroomLab is dedicated to contemporary electronic, digital and experimental art, as well the diverse range of artistic activities in the context of sound and visual culture. bedroomLab presents creative projects that experiment with new aesthetic parameters and new forms of cooperation, develop possibilities for informational and economic self-determination, and reflect on the role of contemporary art against the backdrop of technological and social transformations. Now more than ever, media art emerges as a laboratory for multiform experiments and as an active agent that allows for new cultural techniques to be tested and proffered to the wider world. We have had a particular interest in creating an open dialogue between the artistic and scientific dimensions, a linkage with a long experimental pedigree.

VISUAL POND is a non-profit organization committed to the visual arts. Based in Manila, Visual Pond aims to be a dynamic player in the Philippine contemporary art scene through projects that engage and promote local artists both here and abroad. We at Visual Pond envision a contemporary art scene that is vibrant, open to experimentation and supported by the community. By taking initiatives and creating opportunities for artists, we work towards this realization for the visual arts locale. Asides from Manila-based projects, we are also interested in regional and international exchanges on ideas, concepts and possible collaborations with definite end products.

{poster design by Caliph8}



Wednesday, August 4, 2010

bedroomLab .02




Electronic Music | Live Cinema | Art Net Meeting | Open Studio | Collaborative Mapping | Living Labs | Open Innovation Communities


Featuring:
Blend:er (Cavite)
Double Burner (Cavite)
Inconnu ictu (Manila)
INC (Manila)
Lirio Salvador (Cavite)
nea (SG/AMS/SI)
Tengal (Manila)
Ugong (Cavite)
Washing Machine (Cavite)
Eric Diolola (Cavite)

ArtNet:
SABAW
E.X.I.S.T.
Espasyo Siningdikato


Programme:

First Half:

> SABAW Interlock Research Presentation
> Art Network Meeting: Espasyo Singingdikato, E.X.I.S.T., SABAW, Innovative Noise Collective
Moderated by Tengal



Second Half:

> Live Cinema: Treatment for Film for 9 Scenes (Tengal)
> Conductors of the Pit (feat. T / Inconnu ictu / nea)
> Double Burner
> Special performance: (super group presenting Lirio Salvador, Inconnu ictu, Ugong, Blend:er, Tengal, INC)
> Washing Machine
> Eric Diolola
> INC (Mitch Garcia, Ian Madrigal)



bedroomLab functions as an informal lab of sorts, wherein open discussions, brainstorming sessions, lectures, network meetings, performances, hands-on workshops, and public gatherings take place.

The first edition (bedroomLab.01) tackled two artists to talk about the gritty details of their works both in electronic video and sound, then subsequently presented it via live performance.
This second edition will be focused more on brainstorming sessions, open discussions with various artist communities in Manila and Cavite regarding not just the development and continuation of artistic sonic and visual art projects; but the "collaborative futures" of these communities.






bedroomLab is a new program facilitated by SABAW Media Art Kitchen.

bedroomLab is dedicated to contemporary electronic, digital and experimental music, as well the diverse range of artistic activities in the context of sound and video culture. bedroomLab presents creative projects that experiment with new aesthetic parameters and new forms of cooperation, develop possibilities for informational and economic self-determination, and reflect on the role of contemporary music against the backdrop of technological and social transformations. Now more than ever, music emerges as a laboratory for multiform experiments and as an active agent that allows for new cultural techniques to be tested and proffered to the wider world.

Your orbiting visual and sound bedroomlaboratories are charting new ways of audio and video interaction in the Philippines and beyond. We have had a particular interest in creating an open dialogue between the audio and video dimensions, a linkage with a long experimental pedigree.


poster by nea



Sunday, August 1, 2010

bedroomLab by SABAW Media Art Kitchen



August 3, 2010 | 9:00 PM
Mag:net Cafe Katipunan located at 335 Katipunan Avenue, Loyola heights
Quezon City, Philippines


LIVE CINEMA | ARTIST TALK | ELECTRONIC MUSIC | REALTIME AUDIOVISUAL | SYNAESTHESIA | EXPERIMENTS | LIVE IMPROV




Featuring:

Caliph8 | Tengal | Edsel Abesames | Khavn dela Cruz | Inconnu ictu | il Primitivo | Ampon collective



Programme:

First Half:

>Artist talk on Live Cinema (facilitated by Tengal)
>Live Cinema performance: Treatment for a Film in 9 Scenes
>Live Cinema performance: Khavn dela Cruz, Edsel Abesames, & Inconnu ictu perform "Mondomanila"

Second Half:

>Artist talk on improvisation in electronic music & true school hip hop culture in PH (facilitated by Caliph8)
>Performance by Caliph8, Il Primitivo & Ampon




bedroomLab is a new program facilitated by SABAW Media Art Kitchen.

bedroomLab is dedicated to contemporary electronic, digital and experimental music, as well the diverse range of artistic activities in the context of sound and video culture. bedroomLab presents projects that experiment with new aesthetic parameters and new forms of cooperation, develop possibilities for informational and economic self-determination, and reflect on the role of contemporary music against the backdrop of technological and social transformations. Now more than ever, music emerges as a laboratory for multiform experiments and as an active agent that allows for new cultural techniques to be tested and proffered to the wider world.

Your orbiting visual and sound bedroomlaboratories are charting new ways of audio and video interaction in the Philippines and beyond. We have had a particular interest in creating an open dialogue between the audio and video dimensions, a linkage with a long experimental pedigree.


Monday, July 20, 2009

ASEUM - Asia-Europe New Media Art Symposium



ASEUM: The 1st International New Media Art Festival in the Philippines



On July 21-25, 2009, SABAW Media Art Kitchen (Philippines) in cooperation with KIBLA MMC (Slovenia) and the Asia-Europe Foundation brings together the largest delegation of new media artists for ASEUM - the first international new media art festival in the Philippines – that kicks off 6:00PM at Gweilos, Makati for everyone to experience what new media art is.


Fostering a Culture of Knowledge-Sharing

"The festival aims to become a catalyst for a cultural, educational, and technological exchange on emerging new media art practices in South East Asia and Europe," says Tengal, festival organizer for ASEUM "But more importantly to try and shape the way in which we think about and experience these technologies."

This is why ASEUM has partnered with several top universities such as the University of the Philippines-Diliman, De La Salle University-Dasmariñas and DLSU-CSB School of Design and Arts that actively support the development and growth of new media art.

Leading new and inter media art practitioners, researchers, curators and producers from all over the globe such as Peter Tomaz Dobrila [si], Jerneja Rebernak [si/sg], Emma Oto [jp/gb], Aether9 [global], Tad Ermitano [ph], Malek Lopez [ph], Angelo Vermeulen [be], Diego Maranan [ph], Brian O’ Reilly [us], Rick Bahague [ph], Lirio Salvador [ph], Visual Pond [ph], Tim O' Dwyer [au], Darren Moore [au], Vanini Belarmino [de/ph], and Noel de Brakinghe [ph] will hold lectures, workshops and discussions among the most versed of Filipino students in new media art to encourage them to pursue degrees in such field.

Topics such as Open Source Advocacy, Technology and Cultural Practices, Open Structures and Remote Real time Storytelling, Intersections of Art, Ecology, Gaming and Advocacy, Data Visualization: Making meaning in an Info-rich World, Computer music and video in a live setting, Media and the Creation Process, Sound Mapping: Circuit Bending, Pure Data: Practical Programming for Sound Art, Video Art and Experimental Moving Image, Electroacoustic improvisation, Mono- Multi- and Inter-Media, The Value of Exchange in Creative Interdisciplinary and Cross-Border Collaborations, and Why Numbers Make Sounds: Basic Introduction to Patching and Audio Synthesis using Max/Msp will be covered.





A Transformative Sound Experience

Change the way you perceive sound with five nights of rapid electrofringe experimentation on sound and moving image with VJing, intermedia performances, cutting-edge experimental music and related visual arts at ASEUM’s Ear2Eye Program.

“The E2E program wraps up the night with exciting performances from local and foreign guests,” says Tengal “Take this opportunity to be exposed to live improvised experimentations on sound and moving images while sipping a beer or two.”

Catch performances by Iron Egg, Rubber Inc, Caliph8 , Gangan Ensemble, Inconnu Ictu, Tengal, Aether9, Elemento, Ugong, Blend:er, Minister Zero, DJ Drumlander, Sgt. Vez, Edsel Abesamis, Tad Ermitano, Mannet Villariba, Drip, Eggboy, Autoceremony, Etniktronika, Angelo Suarez, Costantino Zicarelli, Nyabinghi, and Terraformer at Gweilos, Green Papaya, Espasyo Siningdikato, Penguin Café and Mogwai Cinematheque.


ASEUM is a project by SABAW Media Art Kitchen (Philippines) in cooperation with Multimedia Center KIBLA (Slovenia) and is supported by the Asia-Europe Foundation as a follow-up project of the Asia-Europe Art Camp New Media series. For more information on festival fees, schedule, and guests email sabawmediahub@gmail.com or call/SMS +639166188191 and visit the ASEUM website at http://aseum09.tk/.

This event is brought to you by with partnership of Media Arts Manila, House of Natural Fiber (HONF), Experimentation in Sound Art Tradition (EXIST), Visual Pond Artspace, Inc, TAOINC, Computer Professional’s Union (CPU), Biomodd [LBA2]
Un.Plug UP Linux User’s Group, UP Asterisk, Sweetspot Studios, Expansions, Aether9; with the support of UNO Magazine, Status Magazine, Circuit, Advocacy Photographers, PinoyCentric, Metapixel, YOCard, Juice.ph, Flippish, Click the City, UR 105.9, NU 107, Stonehouse Hotel, ICAII, Ginebra Premium Gin, Philippine Society of IT Educators and International Open Source Network, Belarmino & Partners, N3krozoft Ltd.



MORE INFO ON: http://aseum09.tk/




*****

Monday, July 13, 2009

ASEUM


ASIA-EUROPE NEW MEDIA ART SYMPOSIUM



ASEUM is an international network of new media art practitioners initiated by SABAW Media Art Kitchen (Philippines) and Multimedia Center KIBLA (Slovenia) that aims to become a catalyst for a cultural, educational, and technological exchange on emerging new media art practices in South East Asia with Europe.

The symposium initiated with the support of Asia-Europe Foundation will consist of a series of workshops, presentations, performances, video screenings, open-studio sessions, round-table discussions, and policy meetings with cultural foundations by both participating organizations, in an effort to advance artistic positions reflecting on the socio-cultural impacts of new technologies and artistic practices that not only respond to scientific or technical developments, but also try to shape the way in which we think about and experience these technologies.



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Friday, June 5, 2009

Regurgitating Rabbits / Open Sound Lab

Regurgitating Rabbits / OPEN SOUND LAB
JUNE 5 (Friday) & 6 (Saturday), Bar opens 6PM, Session starts 8PM
JUNE 5 / YANDSEN YONG (solo tenor sax), SIEW-WAI KOK (voice improvisation), TENGAL, & REPUBLIC OF PERSTUSTUNGKA
JUNE 6 / REFLEX REACTIONS (YANDSEN YONG & SIEW-WAI KOK), & GANGAN ENSEMBLE

Green Papaya Art Projects and Sabaw Media Art Kitchen welcome Malaysian experimental sound artists Yandsen Yong and Siew-wai Kok in Regurgitating Rabbits, a two-day session of improvised encounters and open sound lab. A collaborative project by Experimental Musicians and Artists Co-operative Malaysia (EMACM) and SABAW Media Art Kitchen, the open sound lab is a platform that encourages cross-border and cross-disciplinary collaborations among contemporary sound, performance and electronic media artists practicing in Asia, Europe and the U.S.



Yandsen Yong is a woodwind musician, he plays the saxophones, clarinet and flute. Yandsen was the veteran lead vocal and band leader of the explosive Malaysian Chinese rock band Moxuan in late 1990s. He then ventured into a new direction in music – free jazz, improvised music and contemporary composition. Yandsen is the woodwind player of Klangmutationen (Malaysia), where the band has released albums through Utech Records (USA) and Dream Sheep (Italy). He has collaborated with artists and musicians such as Kar-Mun Tham, Lee- Kwang Goh, Ronnie Khoo, Aziz Ali, Siew-wai Kok, Chor-Guan Ng, Sow-Yee Au, Donna Miranda, Darren Moore, Brian O’ Reily, Thierry Monnier, punk band Carburetor Dung and many more. Yandsen has played in Notthat Balai Art Festival 2007 (Malaysia), Mosaic Festival Singapore 2008 and Choppa Eclectic Improvised Music Festival 2008 (Singapore). Yandsen is a member of the Experimental Musicians & Artists Cooperative Malaysia (EMACM) and the co-founder of Studio in Cheras, Kuala Lumpur (SiCKL).

Siew-wai Kok is a voice improviser and video artist. She has studied and lived in USA for 7 years. During her stay in the States, she has studied with a few art luminaries such as Pauline Oliveros, Tony Conrad and Peer Bode, who have introduced her to a whole “new world” in the arts. Siew-wai has participated in festivals such as the Iskandar Malaysia Contemporary Art Show 2009, Nyoba Kan Butoh Festival 2008, Choppa Eclectic Improvised Music Festival 2008 (Singapore), Notthatbalai Art Festival 2007, International Film Festival Rotterdam 2007, Beyond/In Western New York Biennial 2005 and more. Siew-wai has collaborated with video artists, dancers and musicians, such as Koji Tambata, Sow-Yee Au, Donna Miranda, Lena Ang, Swee-Keong Lee, Chor-Guan Ng, Steve Baczkowski, Patrick Cain, Jax Deluca, Scott Valkwitch and more. She collaborates regularly with members of the Experimental Musicians & Artists Cooperative Malaysia (EMACM) since 2006. Siew-wai is the co-founder of Studio in Cheras, Kuala Lumpur (SiCKL).

Reflex Reactions is an improv duo made up by Yandsen Yong and Siew-wai Kok where Yandsen plays the saxophone, clarinet and flute while Siew Wai does voice improvisation. The duo creates musical conversations through attentive listening and communication with each other. “Create ‘NOW’” is the motto of this duo.

Republic of Perstustungka is an informally organized band composed of Yandsen, Siew-wai and Donna Miranda. The group performed during Notthat Balai Art Festival 2007 (Malaysia), and had gigs at SiCKL in Cheras, Kuala Lumpur also in 2007.

The Gangan Ensemble is loosely composed of improvisers who work on both sound and video formats that was created to explore the intricate and different kinds of interaction and ways of harnessing sound/energy/musicianship alongside moving images. The ever-evolving membership involves a variety of video-performance artists (VJs) and electro-acoustic musicians from the Philippines, Singapore, USA, Germany, Australia, UK, Slovenia, Malaysia, and Indonesia since it's incarnation in 2007. The ensemble has performed in various countries in South East Asia, notably in NCCA's Sinemusikalye in Manila, in Choppa 2008 in Singapore, in the Cellsbutton Media Art Festival in Indonesia, and recently with electro-acoustic composer Chris Brown in Manila. It was founded by media artist Tengal with Tad Ermitano.


GREENPAPAYA ART PROJECTS
41B T. Gener Street (corner Kamuning Rd.), Quezon City
Phone/Fax 7941628 0926 6635606
greenpapayaartprojects@gmail.com
www.greenpapayaartprojects.org / http://papayapost.blogspot.com

Saturday, January 3, 2009

SABAW Media Art Kitchen Presents: TRANSMISSIONS GANGAN






Sound Performances by:
Chris Brown [computer, live sound engineering, radio transmissions]
Gangan Ensemble:

Tengal [stereo mixers, drums, objects, ipods]

Caliph 8 [turntables, samplers]

Malek Lopez [laptop electronics]

Inconnu Ictu [analogue electronics]

Blums Borres [electric guitar]

Lirio Salvador [self-built electronic synthesizer]

Videos by:
Tad Ermitano

Johanna Poethig


When:


OPEN STUDIO: January 8-9 / 8pm (Green Papaya Art Projects)

CONCERT: January 10 / 9-10pm (Cubao X)


Location:

Green Papaya Art Projects – 41 T. Gener St. corner Kamuning Rd., Quezon City Philippines

Cubao Shoe Expo "Cubao X" – Gen. Romulo St., Araneta Center, Cubao Quezon City Philippines


After the WASAK year-ender, Fete de la Wasaque, (the festival that brought us 2-nights of wall shaking acoustic-meets-digital assault stirring acts), SABAW Media Art Kitchen opens this year with a very unique 1-hour "digital fireworks" display of live video art, live electronic music and live radio transmissions!

SABAW is pleased to welcome California-based composer, pianist, electronic musician, instrument-builder, CHRIS BROWN, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles. He will be performing his Transmissions series in collaboration with media artist Tengal and the electronic sound-video performance collective, The Gangan Ensemble.

The "Transmissions" series is an audience interactive, live electronic music performance series about the transmission of culture through the information media of sound and radio. It redefines the relationship of performers and audience to the radio medium, opening audio spaces to unheard voices in diverse communities by emphasizing the ability of both to create both the content and the means of production of radio communication. For this performance, radios in automobiles are primarily going to be used since it provides a more familiar experience and is easily accessible today.

Using the outdoor parking space of Cubao X, Chris Brown and The Gangan Ensemble produce live electronic music, while video artist Tad Ermitano performs live video manipulation alongside the electro-magnetic sound tapestry. We are also pleased to feature the video works of California-based visual artist, Johanna Poethig. The live music is mixed into a stereo channel, which is sent to a low-power FM radio transmitter, assigned to a unique frequency where people in the performance space can tune in.

The audience is encouraged to bring their own cars and park them along the parking strip of Cubao X and turn up their radios to create an expansive sound tapestry. Apart from car radios, they are also encouraged to bring portable radio receivers, especially battery powered boom-boxes, mobile phone radios, and to tune in to the transmission channels while moving around the performance space. The audience is thus made a creative partner in the performance of the music, and the event becomes an interaction between the musicians, audience, and the sounds presented in the transmissions.

Think: Drive-in cinema. The audience can watch the live video projection and performers by either sitting inside or staying outside their cars while listening to the music coming from their car stereos.

According to Brown, "personal radios are electronic musical instruments that we all know how to play: we adjust their loudness and tone-quality to our taste and we move them around in our environments to accompany us in our lives."

ALSO: Before the concert performance in Cubao X on JANUARY 10, there will be two-nights of OPEN STUDIO SESSIONS with Chris Brown and the Gangan Ensemble at Green Papaya Art Projects on JANUARY 8 and 9. The OPEN STUDIO SESSIONS invites the public to be part of the creative process as the methods of the performance of composition and electronic music and the radio transmissions shall be discussed, and where they can also interact with the artists. This will benefit people who are particularly interested in various issues in composition, improvisation, and performing electronic music in general.

THIS IS A FREE EVENT. REMEMBER TO BRING YOUR CARS AND PORTABLE FM RADIOS! THE MORE RADIOS THE BETTER AND BIGGER THE SOUND TAPESTRY!
These events are presented by SABAW Media Art Kitchen in cooperation with Green Papaya Art Projects, Mogwai Cinema Club, and Cubao Shoe Expo.



BIOGRAPHIES:


Chris Brown, composer, pianist, and electronic musician, creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles. Recent recordings of his music include "Boundary Layer", a 3-CD box set of new and old computer network music by The Hub, on Tzadik, "Cutter Heads ", duets with Fred Frith on Intakt, "Talking Drum", binaural recordings of interactive installations interleaved with environmental soundscapes on Sonore; and "Lava", for brass percussion and electronics on Tzadik. He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, Jose Maceda, David Rosenboom, Larry Ochs, Wadada Leo Smith, and John Zorn. He has also performed and recorded extensively with The Hub, Anthony Braxton, Pauline Oliveros, Fred Frith, Rova Saxophon Quartet, Ikue Mori, Alvin Curran, William Winant, Glenn Spearman Double Trio, among others. In 2005 he created TeleSon, a composition for two ReacTable instruments performed in a joint concert between Ars Electronic in Linz, Austria and the International Computer Music Conference in Barcelona, Spain. He teaches electronic music and composition at Mills College in Oakland, where he is Co-Director of the Center for Contemporary Music (CCM).

Tengal is a Manila-based interdisciplinary media artist, composer-musician, and filmmaker working with various mediums. He curates and organizes, as well as participates in various media art shows in the Philippines and abroad. His work puts the focus on direct experience, risk-taking and personal interaction between artists and audience, and emphasizes the situational potential of live performance, the interplay of various media – sound and image, in particular – and candid exchange between sub-cultural and academic initiatives. He founded SABAW Media Art Kitchen – a not-for-profit, artist-run initiative and network platform for all kinds of information and communication carried via modern electronic media focused specially in the region of South East Asia.
The Gangan Ensemble is loosely composed of improvisers on both sound and video. Having a mixture of electronic and acoustic musicians, live video performance artists or VJs also participate. The ensemble has had various permutations involving a variety of artists and musicians from the Philippines, Singapore, USA, Germany, Australia, UK, Slovenia, Malaysia, and Indonesia since 2007. The ensemble is flexible, having been composed from fifteen people down to three people; and has performed in various countries in South East Asia, notably in NCCA's Sinemusikalye in Manila and in the Cellsbutton Media Art Festival in Indonesia. It was founded by composer-improviser Tengal with video artist Tad Ermitano.

Caliph 8 is a beat smith, graffiti bomber and soothsayer. A lynch-pin of various groups and ensembles, he's probably the most sought after sound manipulator in the Philippines. His output extends to more than just sniffing aerosol paint and flexing wrists with fat markers–he also creates visuals and projects them while manipulating audio and creates sound collage.

Malek Lopez is a Berkeley-trained virtuoso who is the principal composer for the band Drip, and half of the abrasive electronica duo Rubber Inc, who are responsible for establishing electronica in Manila. He is also a well-noted film composer.

Inconnu ictu a.k.a Roger Llagas Lopez is a post-musician, experimental composer-improviser, multi-instrumentalist, visual art enthusiast who resides in the shoe capital of the Philippines. As a sound constructor he explores his interest by using obsolete electronic gadgets, pedal fx boxes, defective rhythm consoles, found objects, d.i.y microphones and circuit-bent electronics.

Blums Borres guitarist and media artist who experiments with sound, video, and animation. Formerly a technical director at Toei Animation Philippines, he has a BA in Multimedia Design from the Royal Melbourne Institute of Technology. His work has been featured at the Australian Center Moving Images (ACMI), and in cinemas and television in Japan.
Lirio Salvador is a multi-media experimental artist and is probably the most influential and astonishing homemade circuit-benders and instrument builders in the country. He established the E.X.I.S.T. sound art collective back in 2002. He creates his assemblage of musical instruments using day to day materials that are found in his present environment, including bicycle gears, drain cleaning springs and stainless steel tubes.
Tad Ermitano is a media artist, writer and filmmaker. As far as the media art goes, he is interested in algorithmic/procedural editing and composition, new uses for the moving image and have been lately drifting into elementary robotics. His work "Quartet" was exhibited in the recently concluded International Symposium for Electronic Arts (ISEA) in Singapore.

Johanna Poethig is a visual, public and performance artist who has exhibited internationally and has been actively creating public art works, murals, paintings, sculpture and multimedia installations for over 20 years. She has worked in collaboration with other artists, architects, urban planners, design teams, arts commissions, specific communities and cultural groups. Poethig's public art works intervene in the urban landscape, in neighborhoods, on freeways, in parks, hospitals, schools, homeless shelters, cultural centers, advertising venues and public buildings. She has received numerous commissions and awards for this work. Her paintings, sculpture and installations reflect her interest in satire, symbol, human nature, society and our consumerist culture. She has produced and participated in performance events that mix feminism, global politics, costume, props, cabaret, experimental music and video.

Friday, October 10, 2008

SABAW presents Fete de la Wasaque

SABAW Media Art Kitchen presents FETE DE LA WASAQUE
a 2-night festival for adventurous music and related visual art




SCHEDULE


OCT 14, 2008 (tue)
9PM
Mag:net Cafe Katipunan,
AGCOR Bldg. 335 Katipunan Avenue, Quezon City, Philippines
(150 php)


OCT 15, 2008 (wed)
8PM
Green Papaya art projects,
41 T.Gener St. cor. Kamuning Rd., Quezon City, Philippines
(Free)


Presenting two nights of handmade music that blur the lines between electro-acoustic, free improvisation, industrial, free jazz, performance art and freeform-noise, and will be paired with the intensity of live video performances (vjing), exquisite homemade machines, real guitars, absurd costumes, and even more live action on stage. FETE DE LA WASAQUE will be hosted by SABAW Media Art Kitchen in cooperation with Greenpapaya art projects and Mag:net Galleries.

Expect two nights of insanity going on and on till the break of dawn at Green Papaya art space and Mag:net cafe Katipunan - including one of the very extreme and rare performances from Australia's Justice Yeldham. Cavite's E.X.I.S.T. sound art collective will electrify our nerves thru their homemade electronics and circuit-bend gadgets, while Manila's New Media Arts Manila (N.M.A.M) will surely melt your brain with rapidfire audiovideo-shrapnel. Alongside the live video performances of N.M.A.M., performance and media artist Mannet Villariba and editor Edsel Abesamis will provide video assualt as well.

On the first night, Tengal's Gangan Series Project will manifest itself this time as the Gangan Trio featuring Tengal on no-input mixer, drums and objects, Blums Borres on guitar, Caliph8 on turntables, while Tad Ermitano takes off his vj hat and conducts the trio. Circuit-bender wiz Erick Calilan (Ugong) will challenge his old band mate from the now defunct Sound Existence, PJ Soliven (Nyabinghi), alongside the live script video programming of Mannet Villariba. Not to mention the avant-jazz/punk outfit, Radioactive Sago Project will perform improvised electro-acoustic "WASAK" music written and conducted by Francis de Veyra; while walls of industrial soundscapes of doom will break room walls with the heavy-hitters, Trojan Whores.

On the following night, Blums Borres will invite you to his all live, all improvised ambient solo guitar lounge. Tengal and Tad collaborate on an audio-visual "cooking show": Tengal stirs the complex and unstable nature of the sonic textures from the mixer, both live and processed - letting it boil and simmer; while Tad Ermitano who literaly "cooks up" non-newtonian fluid (i.e. ketchup, starch, suspensions, paint, blood and shampoo) into a "visual soup" using a loudspeaker, face-up, as a pot with cameras positioned on top of it. Elemento will drive some nerve-shattering noise with their intricately-crafted sonic machines, while analogue noise maker Inconnuictu will team up with ambient electronica ace Blend:er, and Ugong.

And finally Australia's leading audio artist and founder of the pioneering Australian record label Dual Plover, Lucas Abela (Justice Yeldham), will kill off whatever brain cells you have left on both nights!

SABAW ends the year with a wall shaking acoustic-meets-digital assault stirring acts on two nights of positive madness.




PERFORMERS


Lucas Abela aka JUSTICE YELDHAM has been performing for well over 15 years and is one of the leaders of Australian "noise music".
His early performances were crazed extensions of turntablism. Instead of turntables he'd use motors turning metal discs at 2000 rpm, and instead of record needles he'd use skewers or knives. He once used a glove that he had imbedded with record needles - Freddy Krueger style.
Incorporating everything from electro-acoustic trampolines, amplified samurai swords to high powered turntables constructed from sewing machine motors into his performances, in recent years he's been using sheets of glass that he blows through, screams through, bites and breaks.
Lucas has toured over 30 countries with this new act, appeared on numerous television shows, and even crashed a John Peel session at the BBC.

BLEND:ER is an electronic music creator and a noise enthusiast who lives in Cavite, Philippines. He started experimenting with audio acrobatics and technoid sonic landscapes in 1999. Being included in various album anthologies like Mood Swing Theater Volume 1 (2004) released by Kittenwhip Compilation and S.A.B.A.W. Anthology of Noise, Electronic, and Experimental Music (2004), Blend:er aka (Cris Garcimo) has often collaborated with E.X.I.S.T., SABAW and Electronica Manila artists.

BLUMS BORRES guitarist and media artist who experiments with sound, video, and animation. Formerly a technical director at Toei Animation Philippines, he has a BA in Multimedia Design from the Royal Melbourne Institute of Technology. His work has been featured at the Australian Center Moving Images (ACMI), and in cinemas and television in Japan. His career in post production spans over 14 years and has involved himself in both professional productions and education. He currently teaches 3d animation at DLSU-CSB.

CALIPH8 is a beat smith, graffiti bomber and soothsayer. A lynch-pin of various groups and ensembles, he's probably the most sought after sound manipulator in the Philippines. A graduate of the U.P. College of Fine Arts, his output extends to more than just sniffing aerosol paint and flexing wrists with fat markers--he also creates visuals and projects them while manipulating audio and creates sound collage.
He is a member of A.M.P.O.N. hiphop collective, electronica group Drip, and was part of Downearf, a trueschool hiphop trio back in 1997.

EDSEL ABESAMES is a video editor / motion graphics person / director / racketeer / guitarist / poser / anime fan / overweight 32 year old / discontent drunkard. That about sums it up.

ELEMENTO is the brainchild of experimental multi-media artist Lirio Salvador, and has created a number of experimental electronic instruments based on his own concept of ethno-industrial art/music. Probably the most influential and astonishing homemade circuit-benders and instrument builders in the country, he established the E.X.I.S.T. sound art collective back in 2002. He creates his assemblage of musical instruments using day to day materials that are found in his present environment, including bicycle gears, drain cleaning springs and stainless steel tubes.

INCONNU ICTU a.k.a Roger Llagas Lopez is a post-musician, experimental composer-improviser, multi-instrumentalist, visual art enthusiast who resides in the shoe capital of the Philippines. "Inconnu Ictu(s)" means an "unknown man's blow or a stroke", as a sound constructor he explores his interest by using obsolete electronic gadgets, pedal fx boxes, defective rhythm consoles, found objects, d.i.y microphones and circuit-bent electronics.

MANNET VILLARIBA is a performance artist, painter, sound artist, visual programmer and designer. He has been active in diverse fields of art and design - including research and development. Yielding the outputs of sounds, images, and light through analyzing and transforming the numerical values gained from various sensors and input devices, he is a visual artist pursuing sensual peculiarity and interaction.

NYABINGHI (PJ Soliven) and UGONG (Erick Calilan) used to perform together as a duo called Sound Existence back in 2005. They are active leaders and members of E.X.I.S.T., taking part in producing shows, worshops, exhibitions both in Cavite and Manila. While Nyabinghi utilizes mainly a laptop as an instrument, UGONG performs using home-made "cracked" electronics that are circuit-bent and rewired to make electronic squeels, blips, hisses, and clicks.

RADIOACTIVE SAGO PROJECT is probably the country's most successful avant bands that crossed over to mainstream music, having released 3 successful albums and have been radio darlings 'til this day. Instead of playing their usual popular hits, they will perform an experimental electro-acoustic piece by Francis de Veyra, the group's main composer. Francis studied atonal and modern composition in the conservatory of music in the University of the Philippines where he was almost sued and banned from the university for his infamous recital piece called "Wasakan".
"TACSIYAPO", is a new piece which will premiere on the 14th. The composer explains: "TACSIYAPO is an expression in kapampangan [a local dialect] meant and used to vent out anger and frustration. The piece was inspired by an interesting phenomena in a restaurant in Tarlac where they have people throw anything in a wall be it cups, plates, cats, or even TVs. Upon throwing them on the wall (that is painted with vandals of the words that are 'cancers' of our society), they shout 'Tacsiyapo!'. This piece tries to 'throw' an array of sounds and textures, wherein the performers will try to vent out their angst, not physically, but thru sound. The group will use electronic music, spoken word, bass and electric guitars, kaoss pads, percussions and the audience."

TAD ERMITANO is a media artist, writer and filmmaker. As far as the media art goes, he is interested in algorithmic/procedural editing and composition, new uses for the moving image and have been lately drifting into elementary robotics. His work "Quartet" was exhibited in the recently concluded International Symposium for Electronic Arts (ISEA) in Singapore.

TENGAL is a Manila-based interdisciplinary media artist, composer-musician, media art impresario, and filmmaker. He curates and organizes media art projects, has collaborated with various artists, and has performed in various shows in the Philippines and abroad. He attended the Berlinale Talent Campus 2006, in Berlin, Germany; the 5th Asia-Europe Foundation Art Camp: Re-Vision Bangkok | New Media Art and Interactivity, in Thailand; and most recently at Cellsbutton II: Yogyakarta International Media Art Festival, in Indonesia. He founded SABAW in 2005.

TROJAN WHORES is composed of Pow Martinez, Sam Kiyoumarsi, and Thomas Mcwalter, and they create harsh industrial soundscapes with doom metal elements.

More info at: http://wasakfete.tk/ or email tengald@gmail.com